Some years it's easy to pick the best picture of the year because one movie clearly stood out above the rest, even if that movie doesn't end up taking home the Oscar (ahem, The Dark Knight). Some years, it's not so easy. This year, was an exceptionally good year for movies. It was so good, that I admit I ended up missing half of the award season contenders because of the large volume of critically acclaimed movies that were being released around December.
That being said, here's the top ten of the ones I did manage to catch this year:
10. Harry Potter and the Deathly Hallows pt. 2
Yes, I know I'm going to catch hell for putting this one at the bottom of the list, but the decision to break this movie up into two parts apparently meant that the filmmakers didn't feel a strong need to edit the material for the sake of keeping the pace moving along. At least part 2 was the more action packed of the finale, but it suffered a bit because most of the dramatic setup took place in part 1. Still, it was a worthy sendoff for a much beloved film series that had been running for ten years.
9. Super 8
J.J. Abram's film about the love of filmmaking was also a valentine to those 80's movies about kids having wild adventures in their own backyard that they just don't seem to make anymore. It's hard to watch this movie and not want to grab a movie camera and some friends and make a film of your own. This might also be the first movie I've seen Steven Spielberg produce and not direct that actually had the feel of a movie he might have directed himself. I did have one complaint about Super 8. It's clear that this film was two story ideas merged into one. It's a film about kid filmmakers and it's a film about a government conspiracy. We see both stories through the same characters, but as the conspiracy plot takes center stage, the filmmaking plot seems to get pushed to the side, and they never intersect as well as I think Abrams had hoped they would.
8. Mission: Impossible - Ghost Protocol
Brad Bird is one of the few animation directors out there today who has been able to make a name for himself. (Previous credits include Ratatouille, The Incredibles and the highly underrated The Iron Giant). Naturally, I was excited to see what he could do with his live-action debut, and he did not disappoint. Considering that the Mission: Impossible franchise is so easily associated with explosive action scenes, it comes as a surprise that the best moments from Ghost Protocol are so minimalist in nature. For example, in one scene Tom Cruise and Simon Pegg are trying to break into the Kremlin and only have to outsmart one guard. It's a subtle scene. No big over the top orchestral score, and minimal dialogue, and yet it keeps the tension levels high.
7. Captain America
I can't even begin to describe how glad I was that they chose to set this entire film in WWII instead of just using his WWII days as a prologue for movie set in modern times. Considering how hilariously bad previous attempts to make Captain America movies were it's good that this version managed to hit the mark. I was also impressed that they managed to come up with a reasonably plausible explanation for why a soldier would go behind enemy lines in a getup that is as far removed from camouflage as possible. Best of all, this movie makes me very optimistic about the upcoming Avengers movie, as they managed to work in references to Iron Man and Thor, and have them feel like they're part of the Captain America story.
6. Hanna
Everything about this movie felt like director Joe Wright was going out of his way to break typecasting, and it sure worked. Wright is perhaps better known for his adaptations of period pieces like Pride & Prejudice starring Keira Knightley, and the award winning Atonement. With Hanna, he delivers a kinetic action thriller that's a cult classic waiting to happen. The titular Hanna is a girl raised by her father, deep in the Scandinavian wilderness and trained for the sole purpose of assassinating a government agent. Her mission doesn't quite go as planned, and she finds herself on her own, trying to escape a rather flamboyant psychopath hired to kill her by the agent Hanna tried to kill herself. It's a heavily stylized movie with a soundtrack by the Chemical Brothers. On occasion the stylized cinematics do start to feel less like you're watching a movie and more like you're watching a music video for a Chemical Brothers song, but for the most part it gives the film a unique look and feel among action movies.
5. Rango
Nickelodeon finally seems to have gotten its act together to make serious entries into the animated film genre. Most of their previous movies were just big screen adaptations of existing shows, like Rugrats or big screen pilots for upcoming shows like Jimmy Neutron. With Rango, Nickelodeon has finally delivered something highly original more than just a movie that you drop the kids off at. I suppose some aspects of a story about a chameleon having an identity crisis may fly over the heads of some kids, (and I would hope that the references to Fear & Loathing in Las Vegas fly over the heads of all kids,) but it's a well animated western with a great voice cast that includes Johnny Depp and Bill Nighy.
4. Source Code
Source Code was certainly a fresh take on the genre of time travel stories. Despite its far fetched plot, where a soldier relives the last 8 minutes of a terrorist victim's life in order to determine the identity of the terrorist, it almost felt plausible. What's even more impressive is that director Duncan Jones manages to create a strong romantic subplot between the soldier (Jake Gyllenhaal) and a woman on the train (Michelle Monaghan) despite their interactions together being based over the same 8 minutes.
3. The Adjustment Bureau
2011 seemed to be a good year for sci-fi, with intellectual sci-fi movies like Source Code and The Adjustment Bureau being released. Despite having a sci-fi plot device central to its story, The Adjustment Bureau has a very realistic drama at its core. It's a love story where a man (Matt Damon) has to decide if the sacrifices both he and the woman he loves (Emily Blunt) must make to be together are worth it. The sci-fi twist is that only he knows there's a team working behind the scenes who are working behind the scenes to make sure they stay apart. What I really liked about this film was that it wasn't a love story told over a weekend, where a man goes nuts over a woman he just met. Instead, it's a story told over several years, which allows the audience to really believe Damon's character is truly a man fighting to be with a woman he loves. The movie also takes a pretty serious look into the ideas of destiny versus free will, which usually just get the pop-philosophy treatment in most films.
2. X-Men: First Class
I had reservations about this firm when I first heard about it. Prequels are almost always a disaster. X-Men 3 and Wolverine: Origins were both massive disappointments. It seemed inevitable that First Class would be a disaster. Instead, it turned out to be the best one of the series. It's a mix of a prequel and a reboot, tying in elements from previous movies while abandoning other parts. First Class also touched upon some of the campier elements of its comic book origins without loosing the realistic feel of previous installments. It also produced some standout performances by up and coming actors, such as Jennifer Lawrence's potral of Mystique, or Caleb Jones as Banshee. This film also proved to be one of many breakout roles of 2011 for Michael Fassbender who proved to be a worthy successor to Ian McKellen for the role of Magneto.
1. Midnight in Paris
In other years I might not have picked this movie as my Best Picture, probably deferring to a film that was more epic in scope. However, I think this movie hit a personal chord. It's about a writer, played by Owen Wilson, who wishes he could have lived in the Golden Age of 1920's Paris. One night while wandering around Paris, that wish gets granted and he finds himself schmoozing with F. Scott Fitzgerald, having his work critiqued by Gertrude Stein and trying to steal away Pablo Picasso's mistress. As a fan of so many old-time things, I suppose it's only natural that I be a fan of a movie that's about nostalgia versus living in the present.
Writer/Director Woody Allen managed to pull together a great cast, especially when it came to the actors playing the celebrities of 1920's Paris. Tom Hiddleston's portrayal of F. Scott Fitzgerald actually drove me to re-read The Great Gatsby, a book that I didn't care for when it was assigned to me in high school, but I now see why it's a classic. However, everybody in the movie took a back seat to Corey Stoll as Ernest Hemingway. I thought it was by far the best supporting actor performance I had seen all year, and was surprised that he was overlooked for the Oscar for the role.
Thursday, January 26, 2012
Thursday, October 27, 2011
Black Aggie: Washington DC's Haunted Statue
When I was a kid I had a thing for reading tales of allegedly true ghost stories. I kept going back to them, even though they terrified the hell out of me. Some of the stories popped up in several of the books I read, such as the Berkeley Square Horror, or the Borley Rectory, but one of my favorite stories appeared in only one book stocked by my local library.
It was the tale of Black Aggie, a statue that would supposedly come to life at night. The story, as I remembered it from the book, was that the statue was angel carved out of black marble and it served as a grave marker. Not long after it was put in place, tales about the statue began to spring up. People claimed that at night it would stroll about the cemetery or that it would blind you if you stared into its eyes at night. Grass wouldn't grow in its shadow.
Eventually the statue caused such a commotion that the family had it removed from the cemetery and donated to the Smithsonian Institution, who then hid it deep in storage, not wanting to take any chances of supernatural phenomena occurring if it were put on display. The book, the name of which I have sadly forgotten, had a single illustration of the statue, showing a black angel with glowing red eyes against a moonlight sky. If anybody knows the book this is from, please let me know, as I would like to credit it.
Unfortunately for years, that was all the information I had on the Black Aggie. It wasn't until the internet started to proliferate that I could find enough information to verify the story. Of course, the internet, being what it is, I found a good amount of versions of the tale that seemed to merge it with other urban legends. A popular one merged it with the story of the college student who took on a dare to spend a night sleeping on the statue's lap, only for him to be found the next morning dead of fright. (I'd usually heard the story told without the statue. The dare was that the student was dared to stick a knife in a grave plot. Something holds him to the plot and won't let go, and he dies of fright convinced that the dead body below was grabbing his foot, when in reality he'd stuck the knife through his pant leg.)
Eventually, through sites such as this, or this, I found more information that filled in some of the gaps of the half remembered story, and suggested there was some truth to it after all. For one thing, it turns out the statue was actually an unauthorized copy of another statue known as the Adams Memorial, (sometimes referred to simply as "Grief") The Adams Memorial was made in 1891 by Augustus Saint-Gaudens, and commissioned by Henry Adams for his wife marion who had committed suicide. The original still resides in Rock Creek Cemetery in Washington D.C.
The unauthorized copy was made by Edward L.A. Pausch and purchased by General Felix Agnus for his family plot in Druid Ridge Cemetery, in Baltimore, Maryland. It was this statue that became known as Black Aggie, although according to Wikipedia, the legend sometimes was mistakenly attributed to another statue in Druid Ridge Cemetery that represented the greek fate Clotho. They are similar in appearance, and the Clotho statute is actually of an angel, which may account for Black Aggie being described as one in some versions of the story, such as the book I previously mentioned. However, as the Wikipedia article states, it isn't likely to be the statue of the legend because among other things, there's no reason for it to be named "Aggie."
The one fact I was glad to find on doing my research as an adult was that the part about the Smithsonian losing the Agnus Memorial in storage was false. In fact, the statue is currently on display in the rear courtyard of the Dolley Madison House on Lafayette Square in Washington, D.C. In 2008, I was passing through D.C. and decided to see the statue for myself.
Standing in front of the Dolley Madison House, at first glance it appeared that the courtyard was inaccessible from the street, due to the way the house was adjoined to the nearby buildings. However, it turned out the courtyard was rather easy to reach from the street. Starting in front of the house, just take a right on H Street, and then turn right under the first archway in the red brick building right next to it. If you're not looking carefully, it may just look like an alleyway or an entrance to the brick building but it leads right behind the Dolley Madison House.
The Black Aggie, in it's current setting looked more serene than terrifying. When I saw it in the courtyard, it was in the shade, nestled between several bushes (none of which appeared to have any difficulty growing around it.) I suppose at night it may have been a bit unnerving to walk past, but in the daylight, the statue, and the courtyard it sat in, looked like a nice quiet place to visit to ease a bit of midday stress.
When I went home that night, I did a bit more research on Black Aggie and the Adams Memorial that it was based off of. I thought about seeing the original Adams Memorial, but passed on that idea upon learning it was all the way in Baltimore. However, it turned out that there was a second, authorized replica of the Adams Memorial on display in the national gallery.
It seemed I wasn't the only person who was interested in the statue because when I asked the guard where the Adams Memorial was, he told me that I was the fifth person to ask about the statue that week and he wanted to know if it was mentioned in a book or something. I didn't really care to get into the backstory about Adams and Agnus Memorials, so I just told him I thought it was an interesting statue and moved on.
Oddly enough, the Adams Memorial, the one that didn't have any ghost stories about it, seemed creepy to stand in front of. It sat alone at the end of a hallway. I took a picture of it with my Holga camera, which seemed to exacerbate the creepiness factor of it when I got the photo developed, especially since the way the camera flash hit the eyes, it made them seem to glow a bit. Had I seen the real Black Aggie when I was kid, I would have simply thought it was cool statue, but had I seen the Adams Memorial, it would have certainly haunted my nightmares.
It was the tale of Black Aggie, a statue that would supposedly come to life at night. The story, as I remembered it from the book, was that the statue was angel carved out of black marble and it served as a grave marker. Not long after it was put in place, tales about the statue began to spring up. People claimed that at night it would stroll about the cemetery or that it would blind you if you stared into its eyes at night. Grass wouldn't grow in its shadow.
Eventually the statue caused such a commotion that the family had it removed from the cemetery and donated to the Smithsonian Institution, who then hid it deep in storage, not wanting to take any chances of supernatural phenomena occurring if it were put on display. The book, the name of which I have sadly forgotten, had a single illustration of the statue, showing a black angel with glowing red eyes against a moonlight sky. If anybody knows the book this is from, please let me know, as I would like to credit it.
Unfortunately for years, that was all the information I had on the Black Aggie. It wasn't until the internet started to proliferate that I could find enough information to verify the story. Of course, the internet, being what it is, I found a good amount of versions of the tale that seemed to merge it with other urban legends. A popular one merged it with the story of the college student who took on a dare to spend a night sleeping on the statue's lap, only for him to be found the next morning dead of fright. (I'd usually heard the story told without the statue. The dare was that the student was dared to stick a knife in a grave plot. Something holds him to the plot and won't let go, and he dies of fright convinced that the dead body below was grabbing his foot, when in reality he'd stuck the knife through his pant leg.)
Eventually, through sites such as this, or this, I found more information that filled in some of the gaps of the half remembered story, and suggested there was some truth to it after all. For one thing, it turns out the statue was actually an unauthorized copy of another statue known as the Adams Memorial, (sometimes referred to simply as "Grief") The Adams Memorial was made in 1891 by Augustus Saint-Gaudens, and commissioned by Henry Adams for his wife marion who had committed suicide. The original still resides in Rock Creek Cemetery in Washington D.C.
The unauthorized copy was made by Edward L.A. Pausch and purchased by General Felix Agnus for his family plot in Druid Ridge Cemetery, in Baltimore, Maryland. It was this statue that became known as Black Aggie, although according to Wikipedia, the legend sometimes was mistakenly attributed to another statue in Druid Ridge Cemetery that represented the greek fate Clotho. They are similar in appearance, and the Clotho statute is actually of an angel, which may account for Black Aggie being described as one in some versions of the story, such as the book I previously mentioned. However, as the Wikipedia article states, it isn't likely to be the statue of the legend because among other things, there's no reason for it to be named "Aggie."The one fact I was glad to find on doing my research as an adult was that the part about the Smithsonian losing the Agnus Memorial in storage was false. In fact, the statue is currently on display in the rear courtyard of the Dolley Madison House on Lafayette Square in Washington, D.C. In 2008, I was passing through D.C. and decided to see the statue for myself.
Standing in front of the Dolley Madison House, at first glance it appeared that the courtyard was inaccessible from the street, due to the way the house was adjoined to the nearby buildings. However, it turned out the courtyard was rather easy to reach from the street. Starting in front of the house, just take a right on H Street, and then turn right under the first archway in the red brick building right next to it. If you're not looking carefully, it may just look like an alleyway or an entrance to the brick building but it leads right behind the Dolley Madison House.The Black Aggie, in it's current setting looked more serene than terrifying. When I saw it in the courtyard, it was in the shade, nestled between several bushes (none of which appeared to have any difficulty growing around it.) I suppose at night it may have been a bit unnerving to walk past, but in the daylight, the statue, and the courtyard it sat in, looked like a nice quiet place to visit to ease a bit of midday stress.
When I went home that night, I did a bit more research on Black Aggie and the Adams Memorial that it was based off of. I thought about seeing the original Adams Memorial, but passed on that idea upon learning it was all the way in Baltimore. However, it turned out that there was a second, authorized replica of the Adams Memorial on display in the national gallery.
It seemed I wasn't the only person who was interested in the statue because when I asked the guard where the Adams Memorial was, he told me that I was the fifth person to ask about the statue that week and he wanted to know if it was mentioned in a book or something. I didn't really care to get into the backstory about Adams and Agnus Memorials, so I just told him I thought it was an interesting statue and moved on.Oddly enough, the Adams Memorial, the one that didn't have any ghost stories about it, seemed creepy to stand in front of. It sat alone at the end of a hallway. I took a picture of it with my Holga camera, which seemed to exacerbate the creepiness factor of it when I got the photo developed, especially since the way the camera flash hit the eyes, it made them seem to glow a bit. Had I seen the real Black Aggie when I was kid, I would have simply thought it was cool statue, but had I seen the Adams Memorial, it would have certainly haunted my nightmares.
Friday, October 14, 2011
Top 10 Scary Movies
I felt the need to throw my hat in the ring for a Top Scary Movies list because every year I come across lists that mention the same old movies that aren't really scary at all. Personally, I'm still trying to figure out why the original Wicker Man is on so many lists, because it's not suspenseful or terrifying, and it's not like there's anything frightening about Britt Ekland dancing about naked. Yes, I realize I omitted a few genuine classics, such as Alien, but I decided to shed a bit of light on one or two you may have missed out on.
10. Silent Hill
Okay, it is based on a video game, but unlike most other video game adaptations, this one came out pretty good. In Silent Hill a mother named Rose wakes up in an abandoned town after wrecking her car. The town is covered in ash that falls like snow, the road she drove in on now leads to a gaping void, her daughter is missing and at first the only other person she can find is a police officer who doesn't seem to grasp of what's going on.
This movie comes in at number ten because I'll concede that it won't be everybody's cup of tea. It's twisted and surreal, and it gets very strange very quickly. The town of Silent Hill turns out to be populated by religious fanatics who think Rose's daughter is some sort of evil, and every now and then the world becomes a darker, more twisted form of itself and bizarre creatures come out of everywhere to kill anything in sight. The whole atmosphere of the movie is extremely unconventional, and the monsters are are uniquely designed. Instead of goblins or demons, the creatures are faceless perversions of humans. The result is that the film doesn't visually fall victim to the usual horror movie tropes, and instead looks like unfamiliar territory. For that reason it's probably the closest thing I've ever seen on film that depicts what a truly unbound nightmare is like.
9. Joyride
You may have passed up on this movie when it first came out because it stars Paul Walker. You should check it out because it's co-written by J.J. Abrams. Steve Zahn and Paul Walker play brothers driving cross country who decide to play a prank on a random truck driver they started talking to over a CB radio. The driver doesn't take too kindly to their little joke. After the brother's pick up Paul Walker's girlfriend, the trio finds themselves relentlessly hounded by the driver no matter where they go.
Once the action gets going, it maintains the tension straight through the end of the movie. It may toe the line of plausibility every now and then, but there's enough suspense to get you to suspend your disbelief. As an added bonus for film buffs, the DVD of Joyride includes not just an alternate ending, but an entire alternate final act for the movie. The theatrical version is the best one, but it is fun to check out a version of the story that hits the same plot points but in a different way.
8. Nightwatch (1997)
There's several movies out there named Nightwatch. The one I'm referring to is the 1997 film starring Ewan McGregor. McGregor plays a law student who takes a job as a night security guard at a morgue. As if that weren't enough to deal with, it turns out a serial killer is at large, and the lead investigator, played by Nick Nolte becomes convinced that McGregor is the killer. McGregor, in turn, starts to suspect it may be his best friend, played by Josh Brolin.
This film does a great job of establishing how unsettling an environment the morgue is by starting with a scene where McGregor is shown the rounds he will have to make each night. When begins his first round of duty, you get a feeling of dread and isolation as you watch him go room to room, doing his check ins.
I would have put this movie higher on the list if the film spent most of it's time in the morgue, which I honestly found to be a creepier environment than the Overlook Hotel in The Shining. Unfortunately, as the serial killer investigation moves closer to the forefront, more scenes take place in the outside world and the solitary, confined mood dissipates as a result. On the plus side, the suspense picks up after the atmosphere dies down.
7. The Mist
Sometimes a B-movie premise can result in a top notch film when in the hands of a the right creative team. In The Mist, a story about a small town besieged by monsters becomes an allegory for the darkness of humanity due to the creative vision of Frank Darabont, who was most recently the show runner for season one of The Walking Dead.
We watch as the occupants of a small grocery store find themselves trapped inside when a strange, impenetrable mist rolls through town, and a man runs screaming into the store claiming that something in the mist is killing people. The monsters, which range from giant insects to carnivorous tentacles, do provide their share of scares, but the real horror comes when some of the people in the store start convincing themselves that they are being subjected to the wrath of God, and that the sinners must be sacrificed to the things in the mist. As the people whip themselves into a frenzy, you get a sense of the worst of human nature, made more terrifying by how convincing it feels.
6. Dawn of the Dead (2004)
This list would have been incomplete without a zombie movie, and there were many good choices but Zack Snyder's remake of Dawn of the Dead proved to be my winner. I almost picked 28 Days Later, but passed because that film's director, Danny Boyle, has another movie on this list. Shaun of the Dead was close as well, but while it's a great film, I wanted to go with one that was outright scary.
Zack Snyder's version of Dawn starts out with an intense scene of a zombie outbreak at its peak. It mellows out for a bit while the survivors hide out in a mall, but the threat of danger is always in the background. As the characters start to get too complacent in their hideout, all hell breaks loose. I'll admit it's more suspenseful than scary, but either way, at the end of this movie your pulse will be racing.
For purists who don't like the fact I picked this over George Romero's version, I'm sorry, but the remake had better pacing and a better balance of horror and humor. Also, it didn't have the heavy handed social commentary of the original. (Okay. Consumers are like zombies. We get it. Move on already.) As for those who thought I should have gone with Night of the Living Dead, just remember that Romero is more likely to get royalties from Zack Snyder's movie than the original Night. (Due to a legal technicality, the original Night is now in public domain.)
5. The Descent
The Descent is another example of a B-movie premise that turned out to be far better, and far scarier, than it had any right to be. A group of women go on a cave expedition only to find themselves hunted by a legion of subterranean creatures. It sounds like it should have "direct to video" written all over it, but writer/director Neil Marsall did a great job of crafting a thriller that slowly transitions from a tale of friends having a safe little adventure to one of everything going horribly wrong. It really plays upon the viewer's sense of claustrophobia, as the women realize they are hopelessly lost deep underground and are being slowly stalked by things they can't see. Like in the original Alien, the scares don't come as much from the monster attack themselves, but from knowing they're out there.
4. Fear(s) of the Dark
This movie might not be for everybody either, because it's heavy on the artsy side. In other words, it's French, animated and in black and white. Fear(s) is an compilation of short horror stories, interwoven with each other and is a film that almost certainly needs to be watched in the dark, alone, and late at night for maximum effect.
My one gripe with this movie is that they didn't re-dub the lines for the American release. Having to watch the movie with subtitles slightly ruins the creepy minimalism of some of the stories. However, some of the stories are so minimalist that there is no dialogue.
The stories range from very literal to very abstract, but none of them are about things jumping out at the viewer. Instead, you'll get a slow sense of dread that builds throughout the movie so that when the credits roll, you won't feel safe, but you can't put your finger on why.
3. Shallow Grave
As I mentioned before, I passed on including 28 Days Later on this list, only because director Danny Boyle's debut film was so much more intense. The first time I saw this, I had to double check that it wasn't a remake of a Hitchcock movie because I honestly didn't think any modern directors had it in them to make such an intense suspense thriller set in such a limited environment.
In Shallow Grave, a trio of roommates, two of them played by Ewan McGregor and Christopher Eccleston, decide to take on a fourth roommate. Not long after moving in, they find their new roommate dead with a suitcase full of money. Rather than going to the police, they decide to desecrate the body to hide his identity, bury him and keep the money. When it comes time to mutilate the corpse, they draw straws to decide who has to do the deed, and after the job is done, that lucky individual starts to lose it.
The tension buildup through this movie is slow, but unrelenting. Once the protagonists cross the line by getting rid of their new roommate's body, you as the viewer know that there will be consequences, but you don't know exactly what they will be. It's hard to describe the movie in too much detail without ruining its many twists and turns. The story doesn't rest on one big twist. Instead you watch the characters slowly descend into paranoia towards each other, causing them to behave in strange, unexpected ways. Shallow Grave may not exactly be a scary movie, but its suspense will definitely leave you on edge.
2. Session 9
Lets get this out of the way. Yes, this movie stars a pre-CSI: Miami David Caruso. Don't think that means Session 9 is at all anything corny. In fact, it's very much the opposite.
A team of asbestos removers gets a contract to clean out mental asylum in Maryland, but as they spend more time in the asylum their they start to unravel as individauls. In a way, Session 9 is a haunted house movie, but it isn't clear if there's anything supernatural at play. What is clear is that there is just something wrong about the asylum and that it's having an effect on the removal team.
Unlike the previously mentioned Nightwatch, this movie takes full advantage of its setting and keeps most of the action contained in the asylum, all of which builds up to a truly disturbing ending. It's worth mentioning that this film was actually filmed in a genuine abandoned asylum. The real life location has since been turned into a series of upscale apartments, which prompted one blogger to make a point of watching this cult horror movie in the building it was filmed in.
1. The Ring
The first time I saw this movie, I went in with little to no idea of what it was about. If you haven't seen it yet I almost don't want to reveal any of the plot to you so that you can go in completely unprepared. In my book, this is easily the most frightening movie to come out in the last decade.
I suppose what made this movie so terrifying is that it preys upon a fear that when you watch disturbing imagery, it won't just unsettle you. It can actually harm you. It definitely helps that the cinematography in this movie is simply incredible. Dreary, ordinary visuals are mixed with the surreal resulting in a movie that is both beautiful and haunting. Perhaps it's greatest strength is the way that it messes around with horror movie tropes, taking familiar scenarios and giving them unfamiliar twists.
What's most impressive about this film is that it manage to pull off genuinely scaring the hell out of the viewer with a PG-13 rating. It just proves that to be scary, a movie doesn't have to have buckets of gore.
10. Silent Hill
Okay, it is based on a video game, but unlike most other video game adaptations, this one came out pretty good. In Silent Hill a mother named Rose wakes up in an abandoned town after wrecking her car. The town is covered in ash that falls like snow, the road she drove in on now leads to a gaping void, her daughter is missing and at first the only other person she can find is a police officer who doesn't seem to grasp of what's going on.
This movie comes in at number ten because I'll concede that it won't be everybody's cup of tea. It's twisted and surreal, and it gets very strange very quickly. The town of Silent Hill turns out to be populated by religious fanatics who think Rose's daughter is some sort of evil, and every now and then the world becomes a darker, more twisted form of itself and bizarre creatures come out of everywhere to kill anything in sight. The whole atmosphere of the movie is extremely unconventional, and the monsters are are uniquely designed. Instead of goblins or demons, the creatures are faceless perversions of humans. The result is that the film doesn't visually fall victim to the usual horror movie tropes, and instead looks like unfamiliar territory. For that reason it's probably the closest thing I've ever seen on film that depicts what a truly unbound nightmare is like.
9. Joyride
You may have passed up on this movie when it first came out because it stars Paul Walker. You should check it out because it's co-written by J.J. Abrams. Steve Zahn and Paul Walker play brothers driving cross country who decide to play a prank on a random truck driver they started talking to over a CB radio. The driver doesn't take too kindly to their little joke. After the brother's pick up Paul Walker's girlfriend, the trio finds themselves relentlessly hounded by the driver no matter where they go.
Once the action gets going, it maintains the tension straight through the end of the movie. It may toe the line of plausibility every now and then, but there's enough suspense to get you to suspend your disbelief. As an added bonus for film buffs, the DVD of Joyride includes not just an alternate ending, but an entire alternate final act for the movie. The theatrical version is the best one, but it is fun to check out a version of the story that hits the same plot points but in a different way.
8. Nightwatch (1997)
There's several movies out there named Nightwatch. The one I'm referring to is the 1997 film starring Ewan McGregor. McGregor plays a law student who takes a job as a night security guard at a morgue. As if that weren't enough to deal with, it turns out a serial killer is at large, and the lead investigator, played by Nick Nolte becomes convinced that McGregor is the killer. McGregor, in turn, starts to suspect it may be his best friend, played by Josh Brolin.
This film does a great job of establishing how unsettling an environment the morgue is by starting with a scene where McGregor is shown the rounds he will have to make each night. When begins his first round of duty, you get a feeling of dread and isolation as you watch him go room to room, doing his check ins.
I would have put this movie higher on the list if the film spent most of it's time in the morgue, which I honestly found to be a creepier environment than the Overlook Hotel in The Shining. Unfortunately, as the serial killer investigation moves closer to the forefront, more scenes take place in the outside world and the solitary, confined mood dissipates as a result. On the plus side, the suspense picks up after the atmosphere dies down.
7. The Mist
Sometimes a B-movie premise can result in a top notch film when in the hands of a the right creative team. In The Mist, a story about a small town besieged by monsters becomes an allegory for the darkness of humanity due to the creative vision of Frank Darabont, who was most recently the show runner for season one of The Walking Dead.
We watch as the occupants of a small grocery store find themselves trapped inside when a strange, impenetrable mist rolls through town, and a man runs screaming into the store claiming that something in the mist is killing people. The monsters, which range from giant insects to carnivorous tentacles, do provide their share of scares, but the real horror comes when some of the people in the store start convincing themselves that they are being subjected to the wrath of God, and that the sinners must be sacrificed to the things in the mist. As the people whip themselves into a frenzy, you get a sense of the worst of human nature, made more terrifying by how convincing it feels.
6. Dawn of the Dead (2004)
This list would have been incomplete without a zombie movie, and there were many good choices but Zack Snyder's remake of Dawn of the Dead proved to be my winner. I almost picked 28 Days Later, but passed because that film's director, Danny Boyle, has another movie on this list. Shaun of the Dead was close as well, but while it's a great film, I wanted to go with one that was outright scary.
Zack Snyder's version of Dawn starts out with an intense scene of a zombie outbreak at its peak. It mellows out for a bit while the survivors hide out in a mall, but the threat of danger is always in the background. As the characters start to get too complacent in their hideout, all hell breaks loose. I'll admit it's more suspenseful than scary, but either way, at the end of this movie your pulse will be racing.
For purists who don't like the fact I picked this over George Romero's version, I'm sorry, but the remake had better pacing and a better balance of horror and humor. Also, it didn't have the heavy handed social commentary of the original. (Okay. Consumers are like zombies. We get it. Move on already.) As for those who thought I should have gone with Night of the Living Dead, just remember that Romero is more likely to get royalties from Zack Snyder's movie than the original Night. (Due to a legal technicality, the original Night is now in public domain.)
5. The Descent
The Descent is another example of a B-movie premise that turned out to be far better, and far scarier, than it had any right to be. A group of women go on a cave expedition only to find themselves hunted by a legion of subterranean creatures. It sounds like it should have "direct to video" written all over it, but writer/director Neil Marsall did a great job of crafting a thriller that slowly transitions from a tale of friends having a safe little adventure to one of everything going horribly wrong. It really plays upon the viewer's sense of claustrophobia, as the women realize they are hopelessly lost deep underground and are being slowly stalked by things they can't see. Like in the original Alien, the scares don't come as much from the monster attack themselves, but from knowing they're out there.
4. Fear(s) of the Dark
This movie might not be for everybody either, because it's heavy on the artsy side. In other words, it's French, animated and in black and white. Fear(s) is an compilation of short horror stories, interwoven with each other and is a film that almost certainly needs to be watched in the dark, alone, and late at night for maximum effect.
My one gripe with this movie is that they didn't re-dub the lines for the American release. Having to watch the movie with subtitles slightly ruins the creepy minimalism of some of the stories. However, some of the stories are so minimalist that there is no dialogue.
The stories range from very literal to very abstract, but none of them are about things jumping out at the viewer. Instead, you'll get a slow sense of dread that builds throughout the movie so that when the credits roll, you won't feel safe, but you can't put your finger on why.
3. Shallow Grave
As I mentioned before, I passed on including 28 Days Later on this list, only because director Danny Boyle's debut film was so much more intense. The first time I saw this, I had to double check that it wasn't a remake of a Hitchcock movie because I honestly didn't think any modern directors had it in them to make such an intense suspense thriller set in such a limited environment.
In Shallow Grave, a trio of roommates, two of them played by Ewan McGregor and Christopher Eccleston, decide to take on a fourth roommate. Not long after moving in, they find their new roommate dead with a suitcase full of money. Rather than going to the police, they decide to desecrate the body to hide his identity, bury him and keep the money. When it comes time to mutilate the corpse, they draw straws to decide who has to do the deed, and after the job is done, that lucky individual starts to lose it.
The tension buildup through this movie is slow, but unrelenting. Once the protagonists cross the line by getting rid of their new roommate's body, you as the viewer know that there will be consequences, but you don't know exactly what they will be. It's hard to describe the movie in too much detail without ruining its many twists and turns. The story doesn't rest on one big twist. Instead you watch the characters slowly descend into paranoia towards each other, causing them to behave in strange, unexpected ways. Shallow Grave may not exactly be a scary movie, but its suspense will definitely leave you on edge.
2. Session 9
Lets get this out of the way. Yes, this movie stars a pre-CSI: Miami David Caruso. Don't think that means Session 9 is at all anything corny. In fact, it's very much the opposite.
A team of asbestos removers gets a contract to clean out mental asylum in Maryland, but as they spend more time in the asylum their they start to unravel as individauls. In a way, Session 9 is a haunted house movie, but it isn't clear if there's anything supernatural at play. What is clear is that there is just something wrong about the asylum and that it's having an effect on the removal team.
Unlike the previously mentioned Nightwatch, this movie takes full advantage of its setting and keeps most of the action contained in the asylum, all of which builds up to a truly disturbing ending. It's worth mentioning that this film was actually filmed in a genuine abandoned asylum. The real life location has since been turned into a series of upscale apartments, which prompted one blogger to make a point of watching this cult horror movie in the building it was filmed in.
1. The Ring
The first time I saw this movie, I went in with little to no idea of what it was about. If you haven't seen it yet I almost don't want to reveal any of the plot to you so that you can go in completely unprepared. In my book, this is easily the most frightening movie to come out in the last decade.
I suppose what made this movie so terrifying is that it preys upon a fear that when you watch disturbing imagery, it won't just unsettle you. It can actually harm you. It definitely helps that the cinematography in this movie is simply incredible. Dreary, ordinary visuals are mixed with the surreal resulting in a movie that is both beautiful and haunting. Perhaps it's greatest strength is the way that it messes around with horror movie tropes, taking familiar scenarios and giving them unfamiliar twists.
What's most impressive about this film is that it manage to pull off genuinely scaring the hell out of the viewer with a PG-13 rating. It just proves that to be scary, a movie doesn't have to have buckets of gore.
Wednesday, August 10, 2011
Friday, July 29, 2011
Captain America
Just as Thor was presented less as a super-hero movie and more as a fantasy/action movie, Captain America is treated more like a mash-up of a World War II movie and a sci-fi adventure. The film follows Steve Rogers (played by Chris Evans) as he goes from being a scrawny kid unfit for basic training in the Army to a true soldier going deep into enemy territory. In fact, one of this film's more impressive accomplishments is the way they work up to Captain America even being a costumed hero in the first place. The idea of a soldier charging behind enemy lines in full All-American regalia is realistically a bit absurd, but the film leads up to it in such a manner that it ends up working pretty well in the story, taking a few jabs at Captain America's roots as a piece of WWII propaganda, along the way.
Although the film is Captain America's origin story, it stands strong enough on it's own two feet. Even though by now everybody is well aware that this movie is among many that's a lead up to next summer's Avengers movie, this would be worth seeing even if it were stripped of all of it's Marvel Comics licensed characters. At heart, it's a tale of American soldiers going against a fringe science division of Nazis trying to use an ancient power source to power futuristic weaponry. It doesn't rely on you knowing anything about the characters going into the movie.
That being said, the producers made a point of taking advantage of the fact that The Avengers movie isn't just an idea being kicked around, but is fully into production. Instead of the quick references to other Marvel movies that were thrown about in The Incredible Hulk and Iron Man 2, the wider Marvel universe plays a more prominent role in the plot. It doesn't rely on you having seen the other movies, but it builds upon the foundation laid before it. For example, there's an early scene that takes place at a 1940's version of the Stark Expo that was central to Iron Man 2.
Chris Evans is probably the perfect choice to play Captain America. Having already appeared in numerous other superhero/comic movies such as Scott Pilgrim vs. the World, Push, and the Fantastic Four movies, it's about time he got the lead role in a major summer blockbuster. It's easy to be convinced that he's an honest kid who wants to do whatever it takes to serve his country. I was actually a bit worried about how good a job they would do with using special effects to make Evans look tiny as Steve Rogers before he is transformed into the super soldier, but for the most part they do a good job. Yes, there are moments when they get the proportions a bit wrong, but for the effect is mostly convincing enough that you forget Evans isn't actually a 90 pound weakling. Evans actually does such a good job at playing up the more humble aspects of Steve Rogers that after he transforms from scrawny kid to super soldier, it might take you a moment to remember that they used special effects to make Chris Evans look like a little guy, not the other way around. Even after he becomes the super soldier you still feel like he's the innocent kid from the start of the movie, just in a bigger body.
The rest of the cast is pretty top notch as well. There's a lot of well known faces such as Hugo Weaving, Stanley Tucci and a character played by Tommy Lee Jones who you almost want to see in his own WWII movie. There's also Toby Jones, who you might not recognize by name but have probably seen him in The Mist, Doctor Who or a bunch of other places you won't be able to figure out off the top of your head, and former Band of Brothers cast member Neal McDonough.
I'm not going to go as far as to say that if you only see one movie this summer, this should be it, but if you have found yourself highly selective of what's worth seeing in cinemas this summer, Captain America is well worth the money to see it on the big screen.
Tuesday, June 28, 2011
Transformers: Dark of the Moon
A lot of things went wrong with Revenge of the Fallen. So much, in fact, that everybody from Shia LaBeouf to the executives of Hasboro were apologizing for it. The plot went all over the place. The juvenile humor of the first movie was taken to a new level. Then, of course there were the jive-talking Autobots that everybody involved with the production would probably like to forget. The producers listened to fan complaints and although Dark of the Moon and came back with something on par with the original Transformers.
The premise this time around is that the Apollo missons were really a front to research an alien ship that crashed on the moon. The film kicks off with a strong start, mixing actual footage of the Apollo 11 mission in with scripted scenes, calling to mind parts of Michael Bay's Armageddon. From there, it moves into a conspiracy story where we find out that for years the American and Russian governments have been keeping the crashed ship a secret from everybody, including the Transformers themselves. It's a strong enough premise that it would have worked outside of a Transformers movie, and using it for this movie shows that the producers had more in mind than "big robots fighting for 2 1/2 hours" this time around.
They also came up with a good storyline for Sam Witwicky (Shia LaBeouf), albeit a rather topical one. This time around he's a college graduate unable to find a job, driving a beat up old Datsun because his car is out saving the world. On the plus side he has a new girlfriend, played by Rosie Huntington-Whiteley, and yes, she can act. Of course, once he does manage to land a nice, stable 9-5 job, he still manages to work his way to the front lines of the inevitable Autobot-Decepticon battle.
When you watch a Michael Bay movie, you can usually expect it to be about 2 1/2 hours long, and for that last hour to be one big action scene, and Dark of the Moon doesn't buck the trend. Unlike the finale of Revenge of the Fallen, which just felt like they were trying to cram as many explosions and robots into every minute, the climax of Dark of the Moon felt like something along the lines of Saving Private Ryan (you know... with robots). No, Michael Bay won't surprise you with an Oscar-worthy finale, but he does lock you into the battle and keeps the tension high.
There's still a fair amount of juvenile humor in Dark of the Moon, but it's toned down compared to the previous two movies. The overt racial stereotyping is gone, but there are still a few inappropriate sexual references. You'd think somebody at Hasboro would remind Michael Bay that PG-13 rating aside, it's still a movie based on a line of children's toys. The special effects also feel much cleaner than the other movies, so when the robots transform, it doesn't look as much like a big jumbled mechanical mess. However, the Transformers' designs could still use a bit of simplifying, at least for the Decepticons. They still look too complicated and alien, so it's a bit hard to tell the bad guys apart from each other.
Now, I didn't have any intention of seeing this in 3D, but I attended a free showing and didn't find out it was going to be in 3D until they were handing out glasses at the door. This almost prompted me to walk away and pay for a 2D showing, but I decided to stick around anyway.
I know it's a tired out complaint about 3D movies, but it's worth reiterating. It was just way too dim. When you watch a Michael Bay movie, you expect the sound and visuals to be cranked up past 11, but with the 3D glasses on, Bay's bright and brash visuals get seriously undercut. This might be alright if there was some big payoff to having everything in 3D, but there isn't. Aside from a spaceship flying about in the opening scene, there wasn't really any part where it felt like anything was added by seeing it in 3D. The effect was actually hardly noticeable for much of the middle of the movie. In fact, I was actually able to take the glasses off and enjoy parts of the movie without them perfectly fine, which i needed to do because my eyes were wearing out from the dimness. On the plus side, at least it wasn't headache inducing.
Overall, Dark of the Moon was a solid popcorn flick that delivers everything you should expect for a movie coming out for the July 4th weekend. It's fun, ostentatious and is the kind of movie you have to see in theaters at least twice, if only because your home theater system can't give you the fully audio-visual assault this movie calls for. I may not rate it as highly as the original Transformers, but it's definitely up there. If the producers can keep this up, hopefully we'll be seeing more Transformers movies in the future.
Tuesday, June 21, 2011
X-Men: First Class
Thankfully, we only had to wait two years. Not only does X-Men: First Class fix the problems of the last two X-Men movies, it even manages to outshine X2. It's not clear if First Class is meant to be a reboot or just a retcon of the other films (there's more than a few notable changes to the backstory), but either way, it's a welcome direction for the film franchise.
First Class is about the origin of the X-Men team, and how Professor X and Magneto first meet. The story is set in the 60's against the backdrop of the Cuban Missile Crisis, so it should come as no surprise that this film takes itself a bit more seriously at times than the others in the series, especially since this film heavily focuses on the fact that Magneto is a Holocaust survivor. That's not to say that this is a meaner grittier take on X-Men. The grimness of Magneto's story is balanced out by the playfulness of the young recruits to the X-Men who both possess extraordinary powers, and no idea how to properly control them.
While it is a prequel, to the X-Men series, it avoids the pitfall the original X-Men movie fell into of feeling like little more than a prologue to a sequel story. First Class stands on it's own feet with a self contained story that doesn't rely on the audience being familiar with the previous movies, or the characters. The producers also took the bold step of framing it less in the context of a hero story, and more like an espionage thriller with a sci-fi twist.
I was impressed by how well the film developed the film's three main characters, Professor X, Magneto and especially the shape-shifting Mystique. In the other movies, Mystique was heavily featured but her character was never really explored past her being a mutant who hated humans. Here, we get to see her struggle with being comfortable with her naturally deformed appearance, and how it leads her to adopt the mindset of a villain. There's a particularly good scene in which she asks Professor X what he thinks of her as she really is, and the Professor does a poor job of trying to hide his prejudices.
Speaking of villains, Kevin Bacon and January Jones are both fantastic as First Class's villains, Sebastian Shaw and Emma Frost. The first time you see Bacon onscreen is as a Nazi scientist tormenting a young Magneto, and reveling in it. Bacon doesn't just let his portrayal rest on Nazi = Evil. Instead, his character evolves into somebody much deeper that puts the X-Men and even world governments into a moral bind. I had some concerns about January Jones because there have been times that I've seen her in Mad Men and other movies where her acting seemed a bit flat. In theory that shouldn't matter since the character, Emma Frost is supposed to be arrogant and indifferent, but Jones does make her character feel rather animated while staying true to her character's nature.
Overall, First Class feels far more balanced than the other X-Men movies, which often tried to cram fan-favorite characters into cameo roles at the expense of sensible plot development. First Class does boast a large roster of mutants, but the filmmakers decided to round out the supporting cast with lesser known (and more expendable) characters like Havoc and Azazel. Unless you're a comics purist who'd be put off by the filmmakers mucking about with the characters' ages (in the comics, most of the characters in the movie are young when Professor X and Magneto are old) you should love X-Men First Class.
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